
Visual Highlights
A selection of visual works from 2010–present. Click here for featured series Click here for personas

A selection of visual works from 2010–present. Click here for featured series Click here for personas

Thought That Is Actually a Thought (2024–26) begins with photographs from my own life—images I have made and images in which I appear—which are reworked

Loop of Self (2024-26) continues Leah Schrager’s long-running exploration of self-representation by returning to the photographic archive of Ona Artist (2015–2020). Using AI, digital painting,

Figures Museum Piece These artworks from 2024 are based on photographs that I have taken and/or appear in. I transform them using

After an American Dream (2020) explored what might come after An American Dream, the final chapter of the Ona Artist project. Set during the outbreak

The Vanishing Image is a series of increasingly abstract digital works exploring the figure through abstraction.

In the summer of 2019, I presented Angles on a Woman, my first live performance, at the Montauk Beach House as part of my solo

These works were created in 2018 and 2019 as Ona Artist entered the gallery. They include installation views, participatory works, and projects that brought the

Manifestations (2019) is a series of photographs digitally painted on an iPad. Created as part of The Acceptable Woman, the works were exhibited at

Numbers (2017) is a series of works created from data generated by Ona Artist. Follower counts, comments, likes, screenshots, and other records of the project

Toys on a Peach (2017) is a series of photographs in which miniature objects are placed on my “peach” before being photographed. The images were

These images were commissioned by Glamour magazine for their Summer of Sex 2017 series in 2017. I photographed myself alongside friends in a New York

This essay was originally published as part of the online art show “Nu Matrearchs” as part of The Wrong Biennial. The Instagram Model as Art

These works were created as part of Ona Artist, primarily in 2017. They include promotional images, album artwork, digital experiments, and standalone artworks

Under Erasure (2017) is a series of digitally manipulated self-portraits exploring censorship and visibility. Faces and bodies are erased, mirrored, fragmented, and obscured until

On Being an Instagram Model as a New Form of DIY, Digital, Feminized Performance September 8, 2016 Click here to read the essay on Rhizome

The works on this page were created in 2016 and 2017. They use photographs of myself originally created as part of the Ona Artist celebrity

Infinity Selfie (2016) is a series of recursive self-portraits created during Ona Artist. By repeating a single image onto itself, photographs that would not

In 2015, I set out to create a celebrity as an art practice. The celebrity reached millions of followers on Instagram. She produced music, artworks,

Body Anxiety is an online exhibition that opened January 24, 2015. It made an unexpectedly strong impact and was highly discussed. See below for “The

Essay on identity, authorship, and the emergence of the social media artist Introduction Written in the early years of Instagram—before I was even on the

After the Photograph (2013–2014) is a group of works based on photographs of myself. The first series began as physical photographs that were folded, wrapped,

During my MFA studies at Parsons, I developed a series of conceptual websites and online personas, including Free Girl, Devotology, ArtSexyStudio, Escart Girl, Painted O,

These were my first multimedia works. Images from the Ona websites I developed during my MFA studies at Parsons were printed on my home printer

On April 19, 2012, I was accepted into the West Chelsea Artists Open Studios. On May 1, 2012, I was removed from the event after

Stolen was my only sustained experiment with appropriated images and text. Having already begun making derivative works from photographs of myself, I wondered whether I

While working as a dancer and model around 2010, I realized something strange: the images of me didn’t belong to me. The photographers owned them.

The Google Project (2010-2015) began after what I called an “internet accident.” In 2010, I unexpectedly became a viral public figure under the pseudonym Sarah

Naked Therapy was an online social practice performance founded under the pseudonym Sarah White in 2010. Conducted through one-on-one video sessions, the project explored intimacy,

Phoems was my first body of visual artwork. Created in 2009, the series combines photographs I had taken with short texts I had written directly